Colour Online: Baselight Q&A

In this special Q&A webinar, we answer your questions about Baselight’s creative toolset, technical features, workflow, interoperability and more. Questions covered: - What would be the recommended layer stack for using matte channels in an OpenEXR? - Can we work scene-referred while retaining the flat-log-look as the starting point? Can there be a look which will emulate the flat look? - How does VFX versioning work if I have a date folder within my directory structure? - Is Shot/VFX versioning based on Timecode or frame count? - What is the best way to handle Video Levels in Baselight? - I need to render H264 from Baselight. The image quality of the render is not sufficient. What can I do about it? - How do you stabilise images in Baselight? - Can you demonstrate adjusting the advanced parameters of the Denoise tool and describe what each does? I have found the denoise tool to be a little challenging to work with and would love an in-depth look at it. I love the results when they work, but I find it tough to troubleshoot this tool when it doesn’t work exactly how I’d expect. - I heard you can grade HDR and SDR at the same time using two monitors next to each other. This is awesome, how can I do this? - How can you update the file path of a bunch of clips to a different location? - When can we expect OFX Support in Daylight? - Is there a way to get an image output on the UI Monitor? - Is FilmLight working on integrated Remote Grading capabilities? - Does Baselight Support Final Cut Pro X-XML? - Where is FilmLight regarding ACES 1.2 including AMF and CLF?