Kyrie, Sanctus, Agnus, to illustrate my musical universe.
First moviment: Harmonic structure as superimposition of fifths, the piece is in polyphonic imitative form.
Second moviment: Superimposition of sevenths, explores the octatonic scales originating from the structure.
Third moviment: Superimposition of thirds, with peculiar minor melodic scale, used both ascending/descending with same intervals (I call this scale "Bachian"). The form is homorhythmic, chordal, declamatory.
