rhythm changes was hard until I started using triads like THIS

🚀 Want to skyrocket your progress and start playing like a jazz master without needing to practice 8 hours a day?! 🎁 Grab one of my FREE practice resources that covers the same PILLAR skills I teach my online students! 👂🏻 Practical Perfect Pitch Course: Hear every note before you play it [PILLAR #1] 👉 https://www.nycjazzguitarmasterclasses.com/practical-perfect-pitch 🎷 INSTA-Bop Guide: How Bird & Monk used triads — and how you can too [PILLAR #2] 👉 https://www.nycjazzguitarmasterclasses.com/insta-bop - PILLAR #3 - THE MELODIC PROGRESSION COMING SOON - PILLAR #4 - HARMONIC STORYTELLING COMING SOON 🎹 Bill Evans Fretboard Secrets Course: Jazz guitar mastery… by thinking like a pianist. An introduction to our IMAGINARY PIANO PLAYER FRAMEWORK [PILLAR #5] 👉🏻 https://www.nycjazzguitarmasterclasses.com/bill-evans-fretboard-secrets 📺 Want to see how these work in action? [PILLAR 1] Practical Perfect Pitch Walkthrough & Ear Training Demo: 👉 https://youtu.be/sX3KpNfXjHw [PILLAR 2] INSTA-Bop Triad Breakdown (Bird & Monk): 👉 https://youtu.be/gRnBvxzkMdo [PILLAR 3] The Melodic Progression (Improvising from the melody) 👉 COMING SOON [PILLAR 4] Harmonic Storytelling 👉 COMING SOON [PILLAR 5] The Imaginary Piano Player: A look at how Bill Evans used triads 👉 https://www.youtube.com/watch?v=z_O0JRKEyGI Grab the guides. Watch the walkthroughs. Change the way you hear and play forever. Or if you’re tired of feeling like you’re spinning your wheels on your own and want to join our triad family, get access to our entire course library, our community of supportive and encouraging, passionate musicians, PLUS get me in your corner and my live zoom calls each month to help you get a decade’s worth of progress in the next few months without needing to practice 8 hours a day….Click here to learn more about THE MELODIC TRIADS MENTORSHIP PROGRAM 👉🏻 https://www.nycjazzguitarmasterclasses.com/melodic-triads ------------------------------------------ From a recent live Q&A call with my online melodic triads students. We were talking about rhythm changes improvisation and how to get upper structure triads into our jazz improv. I put the two topics together to lay out a simple roadmap for them to follow to see changes fast... and I want to share it with you. 1. Think of rhythm changes as a simple I IV V chord progression and use basic major triads to improvise guide tone lines that voice lead through the changes without outlining every single chord 2. Add leading tones and chromaticism to create melodic tension and resolution that pulls you through the form and creates the sonic illusion of complexity while your mind is still just thinking about simple triads 3. Sub in different upper structure triads to make those sonic illusions seem even more advanced by relying on altered upper extensions and make your lines sound more modern This basic framework has several HUGE benefits *It will help you appear to be "playing the changes" while thinking about a fraction of the things happening as usual... meaning you can play at significantly faster tempos than you're probably able to today *It will allow you to shove riffs and phrases you've memorized and stolen from other greats into your solo... but you'll no longer feel reliant as you'll have a simple framework that you can just dance through to improvise your own ideas *Because most jazz students and musicians can find the I IV V of any key... we can (almost) instantly transpose this to any key signature. If the horn player at a jam session wants to be a d**k and call rhythm changes in Db just to weed out the amateurs... you can cheat with the A section. Just think through the III VI II V for the bridge and you're good to go. Give it a shot and let me know how it goes for you down in the comments. Jazz and Love 💙 jordan klemons