Timecode for Sony Cameras

In this video we talk about Tentacle sync and track e system and how we use it within our company. Our typical setup: lapel track e, 3 or 4 different cameras with an audio cord attached to each, and our recorder - in this video we have the Zoom F6 for example. Note: once you plug a timecode into one of these cameras, the scratch audio is gone. We use DaVinci Resolve for the software - not the proprietary software. In DaVinci you need to import all the footage, update the audio with timecode, then you have to go into the metadata of each camera angle and individually name them so they're on their own track. Afterwards, you can put all of the audio in the same bin so you can do a multicam/normal cam clip. www.PortlandEventFilms.com www.Facebook.com/PortlandEventFilms www.instagram.com/portlandeventfilms/ Gear List Lens Xeen Cf 24mm t1.5 Xeen Cf 50mm t1.5 Xeen Cf 85mm t1.5 Sony GM 16-35mm f2.8 Sony GM 24-70mm f2.8 Sony GM 70-200mm f2.8 Sony Gm 24mm f1.4 Camera’s -Sony A7Siii -Sony FX3 -Sony FX6 -Sony IV Audio Gear -Zoom F6 -Rode NTG3 #tentaclesync #tracke #timecode #videography -Rode NTG5 -Tentacle sync track E -Tentacle sync timecode Lighting -Practice light 602 -Godox vl300 -Godox vl200 -Godox vl150 -Godox LD150R RGB Panel - PavoTubes ii 30c