Using trained algorithms in interactive colour grading

There is a lot of hype about AI in the colour grading suite. But which algorithms are practically usable for the big screen right now, and how far can we push these new algorithms before they fall apart? FilmLight’s Daniele Siragusano critically inspects the possibilities, strengths and weaknesses of a new class of trained image processing algorithms – all in the context of interactive, client-attended colour grading for high-end motion pictures.