Classical Nerd

What is Musical Postmodernism

Classical Nerd

Kaija Saariaho The First Post-Spectralist

Classical Nerd

The Dizzying Math of Conlon Nancarrow

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Bedřich Smetana and the War for the Czech Spirit

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The Perceptual Revelations of James Tenney

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The “Supermusic” of Alvin Lucier

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Satie's Nostalgic Masterpiece

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George Crumb The Method Behind the Magic

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What is Sign Language Music [with Dr. Anabel Maler]

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The Tradition and Revolution of Max Reger

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Schenker (and his Analysis) An Introduction

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Do Different Keys Mean Different Things

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Witold Lutosławski and the Taming of Chance

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Tuning An Introduction

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Samuel Barber “Hounded by Success” (with Howard Pollack)

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The Fractal Music of Charles Wuorinen

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The Woman Whose Millions Shaped 20th-Century Music The Patronage of Elizabeth Sprague Coolidge

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The Dean of Afro-American Composers William Grant Still’s Life and Work (with Celeste Headlee)

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Marian Anderson “Once in a Hundred Years”

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Musical Americana Stephen Foster, Minstrelsy, and the Birth of Popular Music

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Charles Ives The Eternal Maverick

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The Diatonic Scale is Unique, and Here's Why

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The Enigmatic Edward Elgar

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Robert Carl on Postmodernism, Spectralism, Studying with Xenakis, and More

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How We (Don’t) Talk About Music Cross-Domain Mapping

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How Arvo Pärt Tintinnabulates

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Schumann’s Diminished Ninth

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Write More Parallel Fifths

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Franz Liszt Titan of the Piano

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The Tune That Defined a Nation The Evolution of “The Battle Hymn of the Republic”

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