Philip Meyer

Acoustic rhythm synthesis with Tessella is and Collision in Ableton Live

Philip Meyer

How I perform live with Tessella

Philip Meyer

Tessella Installing and Getting Started

Philip Meyer

New device! A dynamic, playful rhythm machine

Philip Meyer

Multichannel control surface in Max for Live with poly~

Philip Meyer

Mixer soloing, or how I learned to build better Max patches

Philip Meyer

Testing the speed of basic list processing methods in Max MSP

Philip Meyer

Modal synthesis with Bessel functions in Max MSP (Part 2)

Philip Meyer

Projects, packages, and staying organized in Max MSP

Philip Meyer

Make pretty UIs with jspainter in Max MSP

Philip Meyer

Overhauling a 15-year-old Max patch for Oneohtrix Point Never

Philip Meyer

What's new in Max 9.1

Philip Meyer

Phasor clock with varying subdivisions in Max and gen~

Philip Meyer

Building an setlist device for Ableton Live from scratch

Philip Meyer

How Ableton's glider LFO works (in gen~)

Philip Meyer

Voice allocation for signal-based sequences in Max MSP

Philip Meyer

Why I use gen~

Philip Meyer

State variable filter in gen~

Philip Meyer

Envelope following and sound event detection in gen~

Philip Meyer

Smoothed random LFO in gen~

Philip Meyer

How to make better subpatchers

Philip Meyer

Making an FM LFO for Jitter in event gen

Philip Meyer

Modulating phasors in MSP and gen~

Philip Meyer

Borrowing a physical model from Ersatz Ben

Philip Meyer

Gen~ sampler Part 3 A better de-clicking algorithm

Philip Meyer

Turning my laptop into a kaoss pad

Philip Meyer

Making a basic sequencer in Max MSP (2025 version)

Philip Meyer

Visual performance patch in Max

Philip Meyer

A better way to use a MIDI controller with Max MSP

Philip Meyer

Customize Ableton Live with the Live API

Philip Meyer