Using a square wave lfo to control lfo amount of adjacent lfo. I showed how this is different than just turning Lfo 2 up and how it adds a rhythmic element.
Showing how you can turn LFOs on or off depending on what they are routed to, and what the adjacent destination is.
Sequencer track controlling envelope 3 amount so that each hit isn't the same.
Sometimes you can get some acid like sounds when using FM. I showed how that was all coming from the FM and not from the filter resonance. I forgot to change the waveshapes here but we'll get em next time.
