Been listening to old Columbia-Princeton stuff of late, as well as the likes of Maurizio Bianchi and Giancarlo Toniutti. But mostly I just wanna make some wounded animal sounds for a while, I guess. Been that kind of year. Comparators can turn signals into tortured saxophones when you treat 'em badly enough. I like how "organic" some bits are. By organic, I might just mean I didn't process it any more than some quick fades and printed reverb while tracking. I tried to keep the volume sensible, but there's some dynamic range, here.
Video clips from archive.org.
