Encaustic, oil, and earth pigments on Tengucho paper, hand-bound with painted wood base
The ice is disappearing faster than our will to change. Glacial Movement reflects the retreat of glaciers and the political paralysis that allows it to continue. Blue, white, and green encaustic layers, scarred with black oil paint, form the book’s covers—echoes of ice fractured by time and heat. Inside, the pages transition from the light blues of frozen water to the earthy browns and greens of exposed ground, rendered in natural pigments. What was once ice becomes rock, lichen, and moss—an archive of what’s vanishing, and what comes after.
